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Flight Story

Creative Producer

Posted 21 Days Ago
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In-Office
London, Greater London, England, GBR
Entry level
In-Office
London, Greater London, England, GBR
Entry level
Own commercial and branded video productions from brief through delivery, coordinating shoots, talent, crews, editors, designers, feedback, timelines, and brand stakeholders. Support longform shows, packaging, and production workflows while maintaining creative and technical standards. Use performance data to guide decisions, identify process improvements, explore AI production tools, and mentor junior editors. The role requires strong editorial, technical, organizational, communication, and post-production skills in a fast-paced environment.
The summary above was generated by AI
CREATIVE PRODUCERCOMPANY : FLIGHTSTORYREPORTING TO : HEAD OF CONTENT OPERATIONSABOUT FLIGHTSTORY

We’re a media and investment company, and our mission is to elevate the stories, build the communities and invest in visionary entrepreneurs contributing to a happier, healthier humanity

YOUR MISSION

To bring executional and creative excellence to everything FlightStory’s Central Production team works across, making sure every shoot, edit and IP moment is produced with precision and delivered to Flight’s editorial and technical standards.

You’ll work alongside creative & commercial teams to turn ideas into shoots that land, taking ownership through post-production to final delivery. You’re someone who makes things happen - self-sufficient, full of initiative and bringing a creative eye to everything we make.

While you’ll be the steady, skilled hand behind the Central Production team’s branded content output, you’ll be equally at home with longform production, editorial packaging or a social shoot. The driving force behind every project, your focus will be on getting the creative made, and made well.

DAY TO DAY

CREATIVE & COMMERCIAL PRODUCTION

  • Own the execution of commercial and branded productions from brief to delivery, making sure the creative idea survives contact with the shoot.

  • Work alongside creative teams and directors to turn briefs, scripts and storyboards into shoot plans that are both ambitious and achievable.

  • Act as a production check on what’s written, flagging early where an idea needs rethinking from a practical, editorial or technical point of view.

  • Be the producer on the ground on shoot days: keeping the day on track, working with talent, crew, and making the right calls when plans change.

  • Help set and protect the creative and technical standard across shoots, contributing craft that raises the bar for the wider team.

POST-PRODUCTION

  • Build and own post-production timelines for commercial projects in collaboration with delivery managers and creative editors, from rushes through to final delivery.

  • Work with editors, designers and motion teams to keep the edit moving, running feedback rounds and getting sign-off on time.

  • Manage feedback from internal stakeholders and brand partners with clarity, keeping versions and deliverables organised.

  • Spot risks to deadlines early and find a way through them without compromising quality.

EXECUTIONAL SUPPORT ACROSS LONGFORM SHOWS

  • Stay close to each longform show’s workflow, ready to provide production, technical or editorial support wherever a gap opens up.

  • Build fluency across IP and formats to support all of central production’s flagship shows without a long ramp-up, and to inform the creative & delivery of each show’s branded content output.

  • Creatively support on longform show packaging and act as a thinking and executional partner for the show’s producers.

CRAFT, CONTINUOUS IMPROVEMENT & AI

  • Keep a pulse on industry and platform trends, formats and production techniques, and bring new thinking back to the team.

  • Stay curious about AI tools coming into production. Test what’s promising, be honest about what isn’t, and bring the useful ones into how we work.

  • Spot process gaps or inefficiencies across our production workflow and help build the fixes rather than just flagging them.

  • Contribute to the development of new shows and formats, bringing a producer’s eye to early-stage ideas.

  • Be a driver and advocate for continuous improvement across Central Production and encourage the team to follow suit.

WE'RE LOOKING FOR
  • Hands-On Producer - Comfortable producing editorially and technically across longform and commercial shoots, with the versatility to lead a shoot or run a studio session without hand-holding.

  • Creative Collaborator - Turns a creative brief into a shoot that actually works, bringing scripting and production instinct to commercial output.

  • Self-Sufficient - Works independently, owns projects end to end and doesn’t hesitate to get things done.

  • Data-Literate - Comfortable digging into performance and spend data, and confident using it to make and defend decisions.

  • Organised - Keeps timelines, feedback and deliverables tight across several projects at once.

  • Post-Production Savvy - Understands how an edit comes together and can plan realistic timelines that protect quality.

  • Industry-Aware - Keeps a pulse on platform trends, formats and production techniques and AI tools, and brings new thinking back to the team.

  • Clear Communicator - Confident briefing hosts, guests and talent, and communicating clearly across creative, commercial and production stakeholders.

WHAT SUCCESS LOOKS LIKE
  • Commercial productions are delivered on time, on brief and to a standard the creative team and brand partners are proud of

  • The creative team trust you as the person who gets their ideas made properly

  • Post-production runs to a clear timeline, without last-minute scrambles on delivery

  • Longform producers know they can lean on you and get the support they need, when they need it

  • Decisions on formats, packaging and resourcing are routinely backed by data you’ve brought to the table

  • You bring new ideas and techniques to the team and help raise the bar on how we make things

YOU'LL THRIVE HERE IF
  • Think like a producer and a creative, and know how to get an idea from the page to the screen

  • Are equally comfortable on set and in the edit

  • Take ownership and enjoy making things happen without being asked

  • Stay calm and resourceful when a shoot or deadline doesn't go to plan

  • Care about craft, and see branded content as a chance to make something people actually want to watch

HQ

Flight Story London, England Office

London, United Kingdom

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